merges with the dregs of consumer culture through video, performance and installation works.






Double or Nothing
Eileen Maxson, Leidy Churchman, A.K. Burns
February 18 - April 1, 2012
TAG
Stille Veerkade 19
Den Haag, Netherlands
Works above by Eileen Maxson:
A random lottery of meaningless tragedies and a series of near escapes, 2012. stock video diamond+skull, photo screen, salt, pigment.
Untitled, 2011. inkjet print, 83.0 x 115.4 cm.
evian™ is naive spelled backwards, 2012. inkjet prints, 21.0 x 59.4 cm (diptych).
Have I crossed some line in the sands of coolness with you?, 2012. chromogenic test strips, stock photo line+in+the+sand.
Define Irony (I know it when I see it), 2012. video, 3:30 min (loop) & Advertisement, February 7 - August 7, 2012. Location: Houston Gun Forum 14919 Stuebner Airline, Houston, TX, USA.
Reality Bites, 2012. Cyanotype on watercolor paper, exposure with Houston sunlight, 66 x 66 cm.
Photos by: Gert Jan van Rooij
Reality Bites, 2012. cyanotype on watercolor paper, exposure with Houston sunlight, 26 x 26 inches.
Have I crossed some line in the sands of coolness with you?, 2012. Chromogenic test strips, stock photo: line+in+the+sand, 18 x 28 inches.
Define Irony (I know it when i see it), 2012. video, 3:33 min (loop). Advertisement, February 7 - August 7, 2012. Location: Houston Gun Forum 14919 Stuebner Airline, Houston, TX, USA.
Backyard proto/cyanotypin’ with my studio assistant Minnnnie. This project is sponsored in part by Beans and Miracle Bubbles.

Hey Peoples, I’ll be doing some public speaking at TAG Den Haag Dec 17th at 5 PM. Come on down! The price is right…as in FREE.
So…I sometimes pay people on Mechanical Turk to make pictures for me.
For this job, I hired people to re-make a photograph, backwards and forwards, that I found online. The original lives here in the trophy room of 419eater.com, a place where reverse scammers share pictures they trick (scamming) people into taking of themselves.
Sometimes the pictures are pretty hilarious, like this one. Other times they’re just sad, but the thing that struck me about this picture, and why I guess I pay people to make it, is how it seems to transcend the cycle, intentions, meaning, money…
Even after I realized it was, probably, just about a football team.
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